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	<title>Brian Gough &#187; Vanadium</title>
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		<title>Vanadium</title>
		<link>http://www.briangough.ie/vanadium/</link>
		<comments>http://www.briangough.ie/vanadium/#comments</comments>
		<pubDate>Fri, 20 Jan 2012 09:00:37 +0000</pubDate>
		<dc:creator><![CDATA[Mike McAlister]]></dc:creator>
				<category><![CDATA[Projects]]></category>
		<category><![CDATA[Vanadium]]></category>

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		<description><![CDATA[<p>Vanadium / Elements One of my favorite writers when I was younger was Primo Levi, a survivor of Auschwitz and considered to be one of the great literary witnesses of the 20th century. Levi&#8217;s candor and sobering reportage has always been a huge inspiration for me and so when I was invited by Trinity Science [&#8230;]</p>
<p>The post <a rel="nofollow" href="http://www.briangough.ie/vanadium/">Vanadium</a> appeared first on <a rel="nofollow" href="http://www.briangough.ie">Brian Gough</a>.</p>
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<a href="http://www.briangough.ie/wp-content/uploads/2012/01/vanadium-poster-science-gallery.png"><img src="http://www.briangough.ie/wp-content/uploads/2012/01/vanadium-poster-science-gallery.png" alt="vanadium-poster-science-gallery" width="940" height="940" class="alignnone size-full wp-image-1380" /></a>
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<h2>Vanadium / Elements</h2>
<p>One of my favorite writers when I was younger was Primo Levi, a survivor of Auschwitz and considered to be one of the great literary witnesses of the 20th century. Levi&#8217;s candor and sobering reportage has always been a huge inspiration for me and so when I was invited by Trinity Science Gallery to produce a <a href="https://dublin.sciencegallery.com/elements/prints/" title="Dublin Science Gallery Elements " target="_blank">poster for their show Elements</a> I immediately turned to Levi&#8217;s story Vanadium, which can be found in <a href="http://www.penguinclassics.co.uk/nf/Book/BookDisplay/0,,9780141185149,00.html?The_Periodic_Table_Primo_Levi" title="Primo Levi : The Periodic Tables" target="_blank">his book of short stories: The Periodic Tables</a>. In his story, Levi describes how, working as a chemist in the aftermath of the war, he came across a German resin manufacturer whom he had known during his time in Auschwitz. In the written story, what ensues is a tense correspondence between the two men, Levi expressing his anger; the German supplier assuming an arrogant and unrepentant position. In reality however, <a href="http://www.thelancet.com/journals/lancet/article/PIIS0140-6736(14)60777-7/fulltext?rss=yes" title="The Lancet Journal " target="_blank">this is not how things played out</a>. Through my research I discovered that Levi was not as candid as I had once assumed instead he was a master story teller, favouring narrative over actual facts. Ironically, when I was designing this poster I was exploring the notion of spiritual forgiveness, words emitted from the darkness, and I was also trying to find a way of relating sound to print, something I had previously explored with <a href="http://www.briangough.ie/metronoids/" title="Metronoids" target="_blank">my work with Metronoids</a>. Both the graphic and the dialogue that appears in the poster represent Levi&#8217;s actual voice, taken from a BBC interview in which he shares what really happened between himself and the German resin manufacturer.
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<p>The post <a rel="nofollow" href="http://www.briangough.ie/vanadium/">Vanadium</a> appeared first on <a rel="nofollow" href="http://www.briangough.ie">Brian Gough</a>.</p>
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